![]() Cage is with us in spirit throughout all of the programs created for “All Things Cage,” but tonight we’ll be listening to an archival recording of his own reading of one of his most noteworthy text works, Lecture on Nothing (1950). During this time, approximately 100 hours of improvisation were recorded, which reveal aspects of this daily. Robert Wilson performs John Cages Lecture on Nothing USA As part of Supersense. This page includes JOHN CAGEs : biography, official website, pictures, videos from YouTube. His most enduring composition is 4'33" (1952), a work in three movements during which no sounds are intentionally produced. Arts Centre Melbourne, in association with Curator Sophia Brous, presents. JOHN CAGE is a jazz related improv/composition music artist. Thus, Cage's mature works did not originate in psychology, motive, drama, or literature, but, rather, were just sounds, free of judgments about whether they are musical or not, free of fixed relations, free of memory and taste. A pioneer of chance music, electronic music and non-standard use of musical instruments. He developed methods of selecting the components of his pieces by chance, early on through the tossing of coins and later through the use of random number generators on the computer to simulate the coin oracle of the I Ching. A recording fore-closed a multiplicity of performance interpretations, since it was itself a finite object, and it effectively turned the act of audition into an essen-tially private action. John Cage (Septem August 12, 1992) was an American composer. Whether or not this recording is ‘music’ is probably debatable, but speaking for myself, I find listening to this to be not only interesting, but also very enjoyable, and although I don’t listen to it often, I still consider this to be one of my prize LPs.John Cage was a singularly inventive American composer whose principal contribution to the history of music was his systematic establishment of the principle of indeterminacy: by adapting Zen Buddhist practices to composition and performance, Cage succeeded in bringing both authentic spiritual ideas and a liberating attitude of play to the enterprise of Western art. ![]() ![]() There is no heavy rock, rap, disco or techno, instead, you get a lot segments from classical pieces, as well as spoken word recordings, some jazz, folk and other things that are somewhat unintelligible due to all the ambient noise. Since this was recorded back in the mid-60s, the various music segments that appear on here reflect that time period. It analyzes artist and scholar Brandon LaBelle’s rendition of John Cage’s Lecture on Nothing, which features an audio recording of the text read by a deaf person, and bass baritone Nicholas Isherwood’s rendition of Maurizio Kagel’s Phonophonie, which mobilizes seemingly far-fetched personas by means of voice. Obviously, ‘music’ like this isn’t for everybody, but if you enjoy this sort of thing, “Variations” makes for a great listen. His music and philosophical poetry has had great influence on the development of modern music since the 1940s. Grayson Currin collects anecdotes from admirers including Julia Holter and Superchunk. the Heart Beats: John Cage, Zen Buddhism, and the inner life of artists by. The entire recorded concert lasted for six hours, so this LP, “Variations IV Volume II”, contains just a segment of the original performance. One hundred years after his birth, John Cage's ideas about the possibilities of music still inspire. 0:00 / 1:22:34 John Cage - Lecture On Nothing (Silent OCR Distorted Remake) Anton Svetlichny 2.36K subscribers Subscribe 1. Cages most renowned text the Lecture on Nothing was first published in his. In his work, Cage expresses his fascination with the musicality of everyday life. Cage, and his assistant David Tudor, manipulated the different record players and radios while microphones picked up street noise from outside the gallery, as well as laughter and conversation in the gallery bar room. John Cage’s Lecture On Nothing (1959) is a brilliant exploration of musicality, paradox, and philosophy. The original “Variations IV’ concert took place at an art gallery in Los Angeles. “Variations IV” continues in that vein as we hear all of these different incongruent sounds colliding to form what might be called ‘music’ for those who want to hear it that way. ![]() His infamous composition “4:33”, consisted of four and a half minutes of silence which challenged the listener to notice the sounds around them as if they were listening to a piece of music. For those unaware of the work of John Cage, he was a clever composer who tried to find ways to change people’s perceptions of what could be considered music. If a group of humans improvising some music might be called a jazz combo, then what would you call a group of record players, radios and room microphones doing the same? You might call that John Cage’s “Variations IV”, because that is what this recording consists of, a collage of sounds that come from a couple of phonographs, some radios and some strategically placed microphones all ‘jamming’ together at the same time. ![]()
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